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  <titleInfo>
    <title>Subjectivity and gender performativity in atwood's the test aments</title>
    <subTitle>A psychoanalytic feminist critique</subTitle>
  </titleInfo>
  <name type="personal">
    <namePart>Ifrah Sajjad(F19A14G43007)</namePart>
    <role>
      <roleTerm authority="marcrelator" type="text">creator</roleTerm>
    </role>
  </name>
  <typeOfResource>text</typeOfResource>
  <originInfo>
    <place>
      <placeTerm type="text">Faisalabad</placeTerm>
    </place>
    <publisher>unpublished)</publisher>
    <dateIssued>2022</dateIssued>
    <issuance>monographic</issuance>
  </originInfo>
  <physicalDescription>
    <extent>iii, 59 p. ; 30 cm.</extent>
  </physicalDescription>
  <note>Submitted in fulfillment of the requirements for the degree of Master of philosophy in English Literature to the Faculty of Social Sciences and Humanities.</note>
  <note>References</note>
  <note>Thesis supervisor: Rana Abdul Munim Khan</note>
  <note>Thesis (M.Phil)--Riphah International University, 2022</note>
  <note>English</note>
  <subject>
    <topic>English</topic>
  </subject>
  <subject>
    <topic>English</topic>
    <topic>Subjectivity</topic>
    <topic>gender performativity</topic>
    <topic>social construction</topic>
    <topic>patriarchal codes</topic>
    <topic>systematization</topic>
    <topic>liberty</topic>
    <topic>female psyche</topic>
    <topic>FSSH</topic>
  </subject>
  <classification authority="ddc">820 IFR</classification>
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    <recordContentSource authority="marcorg"/>
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